SCULPTURES E
INSTALLATIONS
The real victims
Canvas cm. 50 x 70 Mixed media, spatula acrylic, wire. It is my painting from 2021 and expresses my thoughts on war, on all wars. It is the work that was selected for the Venice ProBiennale 2022 Year 2021
The Dodo Lives Again
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Openly
sculpture 100 x 29 cm. Use of beached wood worked with drill, acrylic and resin colors. Sand for aquariums, stones, shells, glitter and stabilized moss were used. At the base there are aluminum sheets to reflect the light. All incorporated in epoxy resin. Frida Kahlo International Art Prize Women's Art Milan Art Gallery from 8 to 27 March 2022 "From beached wood it has transformed into rock that lightly overlooks a strip of clear sea that reflects stars of light in a small cave. The strength of women to be reborn every time."
Legàmi/Legámi
I used 100 hinges, 50 sheets of gold leaf and resin. The hinges to represent the bonds which can be multiple and this is the reason for the use of different colors and various shapes incorporated in the resin tied in an embrace. Many bonds are impossible to explain, they defy all logic and distance without ever breaking. Each bond has its own history and lives in its own light or in the darkest darkness. Every bond is different and unique, some follow invisible paths or live only in the mind. There is a beautiful poem by Jorge Luis Borges that says: You don't really know if life is a journey, if it's a dream, if it's waiting, if it's a plan that unfolds day after day and you don't realize it unless you look ahead. backwards. You don't know if it makes sense. In certain moments the meaning doesn't matter. Connections count. Jorge Luis Borges Year 2022
I love challenges
Canvas cm. 50 x 70. Mixed media, paper, acrylic, clip and resin" The bad thing about having a heart as fragile as paper is that it can be wrinkled and crumpled. The great thing is that you can make a little boat out of it and challenge the ocean. (Fabrizio Caramagna)” Year 2023
That's life
I used 100 hinges, 50 sheets of gold leaf and resin. The hinges to represent the bonds which can be multiple and this is the reason for the use of different colors and various shapes incorporated in the resin tied in an embrace. Many bonds are impossible to explain, they defy all logic and distance without ever breaking. Each bond has its own history and lives in its own light or in the darkest darkness. Every bond is different and unique, some travel invisible paths or live only in the mind. There is a beautiful poem by Jorge Luis Borges that says: You don't really know if life is a journey, if it's a dream, if it's waiting, if it's a plan that unfolds day after day and you don't realize it unless you look ahead. backwards. You don't know if it makes sense. In certain moments the meaning doesn't matter. Connections count. Jorge Luis Borges Year 2022
I live here
The hell of the living is not something that will be; if there is one, it is the one that is already here, the hell that we live in every day, that we form by being together. There are two ways to avoid suffering for it. The first is easy for many: accept hell and become part of it to the point of no longer seeing it. The second is risky and requires continuous attention and learning: seeking and knowing how to recognize who and what, in the midst of hell, is not hell, and making it last, and giving it space. (Italo Calvino, in Invisible Cities) In this painting I used staplers, coffee beans, polystyrene, resin, acrylic paints, paste and much more...
The real victims
Canvas cm. 50 x 70 Mixed media, spatula acrylic, wire. It is my painting from 2021 and expresses my thoughts on war, on all wars. It is the work that was selected for the Venice ProBiennale 2022 Year 2021
The real victims
Canvas cm. 50 x 70 Mixed media, spatula acrylic, wire. It is my painting from 2021 and expresses my thoughts on war, on all wars. It is the work that was selected for the Venice ProBiennale 2022 Year 2021
The real victims
Canvas cm. 50 x 70 Mixed media, spatula acrylic, wire. It is my painting from 2021 and expresses my thoughts on war, on all wars. It is the work that was selected for the Venice ProBiennale 2022 Year 2021
The Dodo Lives Again
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